One shoot. Several formats.
How to plan a shoot for your website, social channels and advertising, with the final versions considered before the camera comes out.

List the final deliverables
A shoot is easier to organise when the outcome is clear: a website cover, vertical videos, product photographs, portraits or a service demonstration. For each asset, note the platform, format, main message and whether text needs to appear in the frame.
“Shoot plenty and work it out later” leaves important decisions until editing. You may have lots of footage but no room for a headline or no useful vertical composition.
Break the story into scenes
A service business can show its space, the process, details and the outcome in an appropriate context. Each scene should answer a customer question: where does it happen, how does it work, what does the team pay attention to?
Scenes need different lengths and framing. A wide shot establishes the place, a medium shot explains the action and a close-up shows a material or detail. This sequence creates more options for adapting the content.
Plan the crops
A horizontal photograph does not always make a good vertical cover. Leave space around the subject, check compositions with text and shoot separate versions when cropping would compromise the image.
This matters especially for faces, signs, tools and small objects. An automatic centre crop can remove the point of the shot.
Prepare the location
Agree access, timing, lighting, people and objects. Check the background for packaging, cables, open screens and documents that could require a reshoot or lengthy retouching. If the business stays open, account for visitors in the schedule.
Discuss permissions relating to people, brands and use of the materials before the shoot. What is needed depends on the location and participants; this checklist does not replace those arrangements.
Make a shot list
- Scene name and the purpose of the asset.
- Framing and required formats.
- People, objects and location preparation.
- On-camera text, sound or commentary.
- The person responsible for approval.
- Priority: essential or additional.
Plan the essential scenes first. Extra ideas should fit the remaining time rather than displace agreed deliverables.
Agree handover and revisions
Before production, confirm the file set, number of versions, subtitles and revision rounds. Discuss raw files and naming conventions. This helps the team use the content quickly after handover.
Connect the shoot to marketing
If the materials will serve the website, ads and social posts, plan them together. Copy, composition and format can then support the same offer. At BEIZ, a content plan can feed directly into a separate production brief.
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